Nigerian Afrobeats star Tekno took over Village Underground in London on Sunday, October 4, delivering a high-energy performance as music lovers gathered to celebrate Nigeria’s 66th Independence.

Tekno performs on stage

The performance comes on the heels of a fresh chapter in Tekno’s catalogue, following the July release of his eight-track album, Where Did Love Go?, and his latest single, “Atlanta.” The new material joined a set built around the records that have defined his career, bringing together recent releases and the songs that established Tekno as one of Afrobeats’ most recognisable voices.

Tekno and emPawa Africa founder and Nigerian music icon Mr Eazy in London.

Sponsored by emPawa Africa and hosted by Mr A Star, the concert saw Tekno take the stage with a full band, moving through his catalogue with a set that included fan favourites such as “Pana” and “Duro,” alongside newer material.

From the opening moments, Tekno commanded the room with his signature sound and effortless stage presence. The London crowd recognised the opening notes of familiar records, singing along as the performance moved between some of his most enduring hits and his latest work.

Tekno

The reception reflected the continued reach of Tekno’s music, with a catalogue that has found listeners across generations and territories. In London, one of Afrobeats’ most important international markets, his records continue to resonate with audiences across the African diaspora.

Tekno in London

The concert formed part of Nigeria’s 66th Independence celebrations, bringing together music, culture and community in a night that celebrated the country’s influence on the global cultural landscape.

Concertgoers at the Tekno London concert.

For emPawa Africa, the event reflects its continued connection to African entertainment and culture, creating experiences that bring audiences together beyond sports and gaming.

Tekno closed the night to an enthusiastic crowd, bringing the Independence weekend celebration to a fitting close while showcasing both the catalogue that built his reputation and the new material shaping his next chapter. (Guardian)